{"id":3173,"date":"2015-04-01T00:01:51","date_gmt":"2015-04-01T03:01:51","guid":{"rendered":"http:\/\/sheilahughmackay.com\/shmf\/?p=3173"},"modified":"2015-04-01T00:01:51","modified_gmt":"2015-04-01T03:01:51","slug":"work-of-paul-mathieson","status":"publish","type":"post","link":"https:\/\/sheilahughmackay.ca\/fr\/2015\/04\/01\/oeuvre-dart-de-paul-mathieson\/","title":{"rendered":"Work of Paul Mathieson"},"content":{"rendered":"<p><br \/>\n<br \/>\n<div id=\"attachment_3155\" style=\"width: 650px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/sheilahughmackay.ca\/\/wp-content\/uploads\/2015\/06\/1-The-Tunnel-Triptych.jpg\"><img aria-describedby=\"caption-attachment-3155\" loading=\"lazy\" src=\"http:\/\/sheilahughmackay.ca\/\/wp-content\/uploads\/2015\/06\/1-The-Tunnel-Triptych-640x193.jpg\" alt=\"The Tunnel Series 2003\" width=\"640\" height=\"193\" class=\"size-large wp-image-3155\" \/><\/a><p id=\"caption-attachment-3155\" class=\"wp-caption-text\">The Tunnel Series 2003<\/p><\/div><\/p>\n<h3>1. The Tunnel Series<\/h3>\n<p>2003<br \/>\nAcrylique sur toile<br \/>\nGalerie d&#8217;art Beaverbrook, Fredericton, Nouveau-Brunswick <br \/>\nPanneau 1\u00a0\u2013 The Tunnel (42\u00a0po x 42\u00a0po)<br \/>\nPanneau 2\u00a0\u2013 The Subway (42\u00a0po x 48\u00a0po)<br \/>\nPanneau 3 \u2013 Double Tunnel (42\u00a0po x 42\u00a0po)<\/p>\n<p>Mathieson utilise l&#8217;ancienne tradition du triptyque pour d\u00e9velopper une id\u00e9e. Li\u00e9s par un th\u00e8me, les panneaux se veulent narratifs sans pour autant \u00eatre litt\u00e9raux ou illustratifs. La forme triptyque oblige l&#8217;observateur \u00e0 faire un travail intellectuel et \u00e0 se mouvoir d\u2019avant en arri\u00e8re pour mieux comprendre ce qu\u2019il a sous les yeux.<\/p>\n\r\n\r\n<div id=\"bx-gallery-1\" class=\"bxslider-gallery adaptive-height-off \">\r\n    <div class=\"gallery-wrapper\">\r\n        <div class=\"bxslider\">\r\n                            <div class=\"bxslide\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/2The-Changing-Room-1.jpg\" alt=\"The Changing Room; Paul Mathieson, 2007\" title=\"2. The Changing Room\" \/><\/div>\r\n                            <div class=\"bxslide\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/3Back-of-Quinpool-1.jpg\" alt=\"Back of Quinpool; Paul Mathieson, 2009\" title=\"3. Back of Quinpool\" \/><\/div>\r\n                            <div class=\"bxslide\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/4-Barrington-Street-1.jpg\" alt=\"Barrington Street; Paul Mathieson,\n2012\" title=\"4. Barrington Street\" \/><\/div>\r\n                            <div class=\"bxslide\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/5-The-Wall-1.jpg\" alt=\"The Wall; Paul Mathieson,\n2013\" title=\"5. The Wall\" \/><\/div>\r\n                    <\/div>\r\n    <\/div>\r\n\r\n    \r\n        <div class=\"pager-wrapper\">\r\n            <div class=\"bxpager\">\r\n                <a data-slide-index=\"0\" href=\"\" title=\"2. The Changing Room\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/2The-Changing-Room-1-150x150.jpg\" alt=\"The Changing Room; Paul Mathieson, 2007\" title=\"2. The Changing Room\" \/><\/a><a data-slide-index=\"1\" href=\"\" title=\"3. Back of Quinpool\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/3Back-of-Quinpool-1-150x150.jpg\" alt=\"Back of Quinpool; Paul Mathieson, 2009\" title=\"3. Back of Quinpool\" \/><\/a><a data-slide-index=\"2\" href=\"\" title=\"4. Barrington Street\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/4-Barrington-Street-1-150x150.jpg\" alt=\"Barrington Street; Paul Mathieson,\n2012\" title=\"4. Barrington Street\" \/><\/a><a data-slide-index=\"3\" href=\"\" title=\"5. The Wall\"><img src=\"https:\/\/sheilahughmackay.ca\/wp-content\/uploads\/2015\/06\/5-The-Wall-1-150x150.jpg\" alt=\"The Wall; Paul Mathieson,\n2013\" title=\"5. The Wall\" \/><\/a>            <\/div>\r\n        <\/div>\r\n\r\n    \r\n<\/div>\n<h3>2. The Changing Room<\/h3>\n<p>2007<br \/>\nAcrylique sur toile<br \/>\n36 po x 42 po<br \/>\nCollection priv\u00e9e, Saint\u00a0John, Nouveau-Brunswick<\/p>\n<p>Observation de la vanit\u00e9, de la sexualit\u00e9 et du consum\u00e9risme, The Changing Room fait partie de la s\u00e9rie Notes from a Room. Elle refl\u00e8te les pouvoirs d&#8217;observation et la m\u00e9moire visuelle de Mathieson qui nourrissent les r\u00e9flexions provocatrices de l\u2019artiste sur la vie et les m\u0153urs modernes.<\/p>\n<h3>3. Back of Quinpool<\/h3>\n<p>2009<br \/>\nAcrylique sur toile<br \/>\n32\u00a0po x 48\u00a0po <br \/>\nCollection priv\u00e9e, Saint\u00a0John, Nouveau-Brunswick<\/p>\n<h3>4. Barrington Street<\/h3>\n<p>2012<br \/>\nAcrylique sur toile<br \/>\n30 po x 50\u00a0po<br \/>\nCollection priv\u00e9e, Saint\u00a0John, Nouveau-Brunswick<\/p>\n<p>Les toiles de Mathieson \u00e9voquent abondamment la vie quotidienne. Back of Quinpool et Barrington Street t\u00e9moignent de la m\u00e9moire visuelle intense de l\u2019artiste, un talent qui se refl\u00e8te dans des panoramas provocateurs de la vie contemporaine. Ces sc\u00e8nes de rue explorent les joies de l&#8217;expression cr\u00e9ative \u00e0 travers la musique, la danse et les arts visuels et juxtaposent des gens r\u00e9ceptifs \u00e0 l\u2019\u00e9panouissement \u00e0 des \u00eatres qui sont empress\u00e9s \u00e0 explorer des trajets personnels inexplicables ou qui sont perdus dans la soci\u00e9t\u00e9.<\/p>\n<h3>5. The Wall<\/h3>\n<p>2013<br \/>\nAcrylique sur toile<br \/>\n30\u00a0po x 50\u00a0po<br \/>\nCollection\u00a0de l\u2019artiste<\/p>\n<p>L&#8217;iconographie de Mathieson se fonde sur une fine connaissance de l&#8217;histoire de l&#8217;art et sur une fascination pour la culture moderne. Ma\u00eetre de la composition, \u00e0 la fois formelle et exp\u00e9rimentale, Mathieson met l&#8217;observateur au d\u00e9fi par une pr\u00e9sentation complexe d&#8217;images et d&#8217;id\u00e9es.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>1. The Tunnel Series 2003 Acrylique sur toile Galerie d&#8217;art Beaverbrook, Fredericton, Nouveau-Brunswick Panneau 1\u00a0\u2013 The Tunnel (42\u00a0po x 42\u00a0po) Panneau 2\u00a0\u2013 The Subway (42\u00a0po x 48\u00a0po) Panneau 3 \u2013 Double Tunnel (42\u00a0po x 42\u00a0po) Mathieson utilise l&#8217;ancienne tradition du triptyque pour d\u00e9velopper une id\u00e9e. Li\u00e9s par un th\u00e8me, les panneaux se veulent narratifs sans<a href=\"https:\/\/sheilahughmackay.ca\/fr\/2015\/04\/01\/oeuvre-dart-de-paul-mathieson\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,14,79,39],"tags":[],"_links":{"self":[{"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/posts\/3173"}],"collection":[{"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/comments?post=3173"}],"version-history":[{"count":0,"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/posts\/3173\/revisions"}],"wp:attachment":[{"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/media?parent=3173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/categories?post=3173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sheilahughmackay.ca\/fr\/wp-json\/wp\/v2\/tags?post=3173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}