2008 Anna Torma
Torma translates contemporary content through traditional hand embroidery. Each piece is rooted in this heritage … – Anna Torma, 2008
Catégorie : Artist Biographies
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2007 Dan Steeves
Dan Steeves, imprimeur, remporte le prix Strathbutler, en 2007. Ce prix se veut la reconnaissance de son importante contribution aux arts visuels du Nouveau-Brunswick et à un plus vaste dialogue culturel au sein de la région. Une galerie de l’œuvre de Dan Steeves Tous les postes sur Dan Steeves Site web: www.dansteeves.com En choisissant M.[…]
2006 Brigitte Clavette
The objects I create are for use, whether contemplative or functional. They invite ritualistic moments such as burning incense, a prayer or sharing a meal. – Brigitte Clavette, 2006
2005 André Lapointe
Mon travail est celui d’un chasseur. Je me rends dans un endroit armé d’une stratégie pour réaliser une forme ou une image … – André Lapointe, 2005
2004 Janice Wright Cheney
I started using quite a bit of insects in my work because I was fascinated by the fact that everybody has a reaction to insects and how fear and nerves elevate as well as how a lot of superstitions come out of not really knowing about things. – Janice Wright Cheney, 2004
2003 Thaddeus Holownia
I try to deal with how human intervention changes the landscape, how the forces of nature mould human structures, how the two coexist. – Thaddeus Holownia, 2003
2002 Gordon Dunphy
This is what’s important to try to catch — that spirit that trees have, especially big old hardwood trees, and if I can catch that and make it look simple, the best forms are those that look as if they just happened … – Gordon Dunphy, 2002
2001 Gerard Collins
Art critic Murray Littlejohn noted that Collins mocks the trend to reduce art to a decorative role in society, robbing it of its cognitive value. His landscapes and portraits prompt the viewer to challenge the importance of money and technology in modern life. – 2001