Permanent Strathbutler Collection at NBM
- Marie Hélène Allain
- Fort comme la vie / Life Force -sculpture in limestone and wood
- Rick Burns
- Come Under the Shadow of this Red Rock– Mixed media on canvas
- Janice Wright Cheney
- Bodice of Fleas – cotton embroidery thread on cotton and linen
- Brigitte Clavette
- Communion – sterling silver lapis lazuli and white amber, vessel
- Sacred Ambiguity – sterling silver, garnets, pearls, iron and wood
- Gerard Collins
- Moon with poppies, lilies & forget-me-nots, lily of the valley- Chalk pastel
- Linda Rae Dornan
- Sweet Talk – Sound Installation
- Gordon Dunphy
- Untitled – Turned maple vessel
- Bruce Gray
- Fractured, 2021 – honduras mahogany, elm from Fredericton, NB, spalted poplar, Central/South American bocote, bamboo, brass and rare-earth magnet
- Earth, 2020 – curly yellow birch, ocean-ground granite, screened sand and deer antler
- Suzanne Hill
- Natural Boundary – Mixed media on canvas
- Thaddeus Holownia
- Trout River Gulch – silverprint
- Arborealis – special edition hand-bound monograph
- John Hooper
- First/Last Dance – sculpture; carved pine
- Kathy Hooper
- Susan Vida Judah
- Camelia – Japonica, wool, linen, wool bouclé and silk tapestry on mahogany
- Herzl Kashetsky
- Grapes – oil on canvas
- Calligraphic Portrait of Fred Ross (Youth), 2015 – pen and India ink on wove paper
- Calligraphic Portrait of Fred Ross (Aged), 2015 – pen and India ink on wove paper
- André Lapointe Bateau ivre – stainless steel sculpture
- Paul Mathieson
- Prelude to a Fireworks Display – painting
- Nel Oudemans
- untitled tapestry – wool weft on cotton seine warp
- Freeman Patterson
- Lupins of the Field – photography on watercolor paper in giclée process
- Sheila’s Window – photography on watercolor paper in giclée process
- Kohlmanskop II – photography on watercolor paper in giclée process
- November Forest – photography on watercolor paper in giclée process
- Peter Powning
- basin – patinated cast bronze
- Roméo Savoie
- Four Purple Dots – Mixed media on canvas
- Tom Smith
- Lidded Low Jar Form – raku-fired clay with saturated copper glaze and bronze
- Dan Steeves
- Part of the discomfort I’ve felt is the sense that I’m changing – print; etching on wove paper
- like a large, mostly genial but unruly family – print;etching on wove paper
- after all my struggles to feel comfortable – print; etching on wove paper
- allow thoughts and experiences to accumulate over time – print; etching on wove paper
- It would feel like pure cowardice to pull out now – print; etching on wove paper
- I often feel like I’m fighting to survive – print; etching on wove paper
- David Ulmholtz
- Homeward Bound Pennant – oil on board