I started using quite a bit of insects in my work because I was fascinated by the fact that everybody has a reaction to insects and how fear and nerves elevate as well as how a lot of superstitions come out of not really knowing about things. – Janice Wright Cheney, 2004
I try to deal with how human intervention changes the landscape, how the forces of nature mould human structures, how the two coexist. – Thaddeus Holownia, 2003
This is what’s important to try to catch — that spirit that trees have, especially big old hardwood trees, and if I can catch that and make it look simple, the best forms are those that look as if they just happened … – Gordon Dunphy, 2002
Art critic Murray Littlejohn noted that Collins mocks the trend to reduce art to a decorative role in society, robbing it of its cognitive value. His landscapes and portraits prompt the viewer to challenge the importance of money and technology in modern life. – 2001
Le thème de confinement a servi d’objectif thématique tout au long de sa carrière artistique. – Rick Burns, 2000
La passion de Mme Hill pour l’expression artistique est démontrée dans son travail bénévole … – Suzanne Hill, 1999
S’il arrive a comprendre un seul objet par l’attention qu’illui donne, il arrive a comprendre mieux le tout, la totalite. Je dis ceci sans pretention car je suis de ceux qui sont enfermes dans un atelier, toute la journee, dans cet espace, dans le but de comprendre notre environnement par. –