2010 Linda Rae Dornan
As we age, our personal memory repositories are full of sensorial experiences and processes lived, witnessed and dreamed. I like to gather these experiences and create moments of questioning … – Linda Rae Dorman, 2010
As we age, our personal memory repositories are full of sensorial experiences and processes lived, witnessed and dreamed. I like to gather these experiences and create moments of questioning … – Linda Rae Dorman, 2010
I hope these images will be regarded as a visual song – a visual poem about maritime landscape. – David Umholtz, 2009
Torma translates contemporary content through traditional hand embroidery. Each piece is rooted in this heritage … – Anna Torma, 2008
Dan Steeves, imprimeur, remporte le prix Strathbutler, en 2007. Ce prix se veut la reconnaissance de son importante contribution aux arts visuels du Nouveau-Brunswick et à un plus vaste dialogue culturel au sein de la région. Une galerie de l’œuvre de Dan Steeves Tous les postes sur Dan Steeves Site web: www.dansteeves.com En choisissant M.[…]
The objects I create are for use, whether contemplative or functional. They invite ritualistic moments such as burning incense, a prayer or sharing a meal. – Brigitte Clavette, 2006
Mon travail est celui d’un chasseur. Je me rends dans un endroit armé d’une stratégie pour réaliser une forme ou une image … – André Lapointe, 2005
I started using quite a bit of insects in my work because I was fascinated by the fact that everybody has a reaction to insects and how fear and nerves elevate as well as how a lot of superstitions come out of not really knowing about things. – Janice Wright Cheney, 2004
I try to deal with how human intervention changes the landscape, how the forces of nature mould human structures, how the two coexist. – Thaddeus Holownia, 2003